Indeed, one of. it's difficult to accept why Eva keeps visiting her son in jail, at one point even asking why he did it. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. KATY: Yeah, I was so jealous, because I really loved it. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." When Eva goes to meet Kevin in the detention center, she asks him the same question. 1 'Gonjiam: Haunted Asylum' (2018) Image via Showbox. All logos and images used on this website are registered trademarks of their respective companies. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. Franklin didn't do that - he wasn't even there. Swinton told me of a line in the script that wasn't used, wisely, I believe. Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. So I am thinking, was he born evil from the very beginning and she knew it and treated him alike evil from the very beginning? This review of the film was originally published on December 22, 2011. KATY: We had this whole scene where we're all cheering at the end kind of thing. ; Black Lightning) played this powerful new character, who has been engaged in this ongoing struggleagainst Kang (Jonathan Majors) for far longer than most and has paid an incomparableprice while trying to liberate her people from his rule. You tell me." By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. GameStop Moderna Pfizer Johnson & Johnson AstraZeneca Walgreens Best Buy Novavax SpaceX Tesla. He was exactly right. The moments of Grace are, as they should be, not in moments like the dinner scene but in the unexpected. I mean, there's no room for the leader of the rebellion to give up. While Eva is growing increasingly distrustful of Kevin, Franklin sides with his son and their marriage takes a hit. But when he just sits there frowning, she expresses real disgust towards him. These people live there, but they've never moved in. We Need to Talk About Kevin : r/books. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. Children seldom get that attention, though. The kind of clothes one chooses is also indicative of ones social status. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Kevin keeps the secret of how this happens and a strange complicity develops between the mother and son. Meanwhile, Kevin is planning something that would shatter Evas world forever. Kevin, it seems, has a method to his madness. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. If she had her way, she would put her life on rewind and start all over again maybe even as somebody else, since she's not very fond of herself. The film does not show us how Kevin presents the eyeball to Eva in jail. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. Site Map | But Kevin is just getting started, and his final act will be beyond anything anyone imagined. We see Kevin as a troubled kid who may need greater care. Eva's point of view is obviously not reliable, and her segments are intended to portray that she's entered a cycle of deep self-abuse over having raised a psychopath. For mothers always seem to be on trial. So what about Franklin? And the whole thought was just to fight and keep fighting? Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. Did your prior experience help prepare you for some of what to expect on Quantumania? The past and present intertwine as Eva recalls Kevins formative years from childhood to adolescence, hoping for clues on what went wrong. A lawsuit could force the F.D.A. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? So is Amelia in The Babadook. In 1975, he won the Pulitzer Prize for distinguished criticism. ComicBookMovie.com is a registered trademark and has been officially registered with the United States Patent and Trademark Office (USPTO). Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. Her emotional state doesnt change even when Kevin is born. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. For much of the film, she lives with her husband, son and daughter in an expensive suburban home, and when we realize they've lived there for several years, we begin to wonder, how can four people occupy a home for over a decade and not accumulate anything? Franklin, on the other hand, does not give him a path to honest interactions. Now, mommy wakes up every morning and wishes she was in France! It is true that there is nothing unusual about giving birth to children in order . Written by Julia Wolf. For more information, please see our However, the story's unflinching refusal to provide answers for who was responsible carries over. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). A flashback, from long before Kevin was born, shows Eva at La Tomatina, celebrating with the crowd. Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. Sometimes Zuzu's petals are all you have to hold onto. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. Eva rushes to the school to see Kevin getting arrested. ET. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. She isn't even really at the center of it; that position is occupied by her son, Kevin, who is an instinctive sadist with a gift for knowing exactly how to wound her, reject her, deceive her and make her soul bleed. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. Kids banging on the door on Halloween in the present evokes a memory of young Kevin throwing all his food at the fridge. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. Kevin does not play ball, and he becomes increasingly manipulative. Fun Fact: Ezra Miller is not a great person, Did not expect Steve Brule to be Kevin's father, can't help thinking how twisted but how well so much of this film would work with a laugh track [2]. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. We see it in her bond with the more amiable Celia. The film depicts him as a psychopath beyond redemption. However, just the neglect of his mother would not amount to the cathartic finale. Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. But recent years have shown horror films can write mothers full of contradictions that challenge the status quo. She mentions that she believes he'll be released in five years. From here he becomes a sociopathic teen with a rather keen interest in archery. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. So, what did that exchange mean for the Khatchadourians? Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. So, you kind of draw from that, but then, you also think about just putting yourself in that position too. What if she knew while being pregnant that she is about to give birth to a monster? Three days before his 16th birthday, Kevin Khatchadourian (Ezra Miller) kills several students, a teacher and a cafeteria worker in his high school gymnasium. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. The shelves and tabletops are as barren as those in a display home. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. Where do you think Jentorra's story goes next? Eva finally asks why he did it. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. Eva was never allergic to being a mother of course. Being a mother somehow means they're inherently guilty. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Not sure I get the fuss about this one. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? This is the fear of parenthood. Not here. He answers, I used to think I knew why, and now Im not so sure. This small act of hesitant humility is followed by Kevins embrace of his mother which can only be likened to the embrace received by that infamous scriptural progeny upon his arrival home. Ramsay builds on Shriver's idea of internalised blame with how Eva sees herself following the tragedy. Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. The two embrace, and then she walks away. Nature refers to how they were born, while nurture refers to how they were raised. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? This in turn completely undermines the husband/wife dynamic. Matters worsen when she becomes pregnant with a daughter. SPOILER. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. Jake Martin, visit our special Oscars season blog, Movie Minister.. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. Catherine George managed the costume department impeccably well, with a slight touch of retro. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. However, she created a pattern whereby she only expresses herself to Kevin through disgust and fear. The real horror in We Need to Talk About Kevin is society's dogmatic conception of motherhood,and the pressure to live up to it. By using our Services, you agree to our use of cookies. His willful misbehaviors continue as his mother becomes more estranged from him. You've got Braveheart, which it kind of has a similar feeling to. Go. With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. Kevin and Eva look similar, and in many scenes, Kevin and Eva wear similar clothes. Kevin examines both our darkest moments and those slivers of Grace that sustain us. At one point, she mockingly. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. Was he acting out to punish Eva? Hes a friendly and vibrant young priest and a gifted preacher. As Kevin develops, he refuses to be potty-trained, mocks Eva and rejects her attempts at physical affection. Adolescence, hoping for clues on what went wrong film depicts him as portrait. 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