In 120 Ive stuck with P400 so far. Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. A typical use case was tele action photos without a tripod. Learn more about this blog and find ways to contact the person who runs it Dmitri. PTIJ Should we be afraid of Artificial Intelligence? Look also into variable density NDs (very useful for any kind of purpose phtotography). One of the things that hasn't been mentioned yet is why you select a particular film. f/5.0, 1/160 sec . But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? Try rating around ISO 200 for beautiful colors and skin tones. ISO 200. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Perhaps more faded blacks or some such thing? Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. For example, 5500K is very close to the suns. It's only one stop slower than ISO 800, and two stops faster than ISO 100. Film is much more finicky with under exposure. Sometimes when you use the filter, the images turn out a little too warm, but it is very easy to correct with the . Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. So adding heavy NDs will not affect the color of the images. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. If they dont hurry up with E100 in 120, I might have to though . If lucky, your scene will have elements that you know should appear white, grey, or black. Notify me of follow-up comments by email. There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . Thanks. Thanks. To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! "fast film". . When shooting, you'll need a camera that will allow you to change your ISO manually. This can make for an interesting effect or appear undesirable. Asking for help, clarification, or responding to other answers. This is another way to let in less light, to work with daylight conditions a bit easier. I've used it only once, and I don't remember any effects besides more grain. What factors changed the Ukrainians' belief in the possibility of a full-scale invasion between Dec 2021 and Feb 2022? The Sunny 16 Method I am old school and just curious about the settings on Film camera. ISO 400 film is great for shooting indoors without flash, and it still has a clean, clear image for use in daylight. I love the softness I can get with Kodak Portra 800 shot indoors at low light. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. To illustrate how the 85C filter changes the colour balance, I shot each frame of my 35mm CineStill 800T roll twice: once with- and once without the filter. Rain - ISO 800. f/5.0, 1/80 sec, ISO 100 - For a deeper focus depth, but made image one stop darker. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. 400-speed films also have the highest dynamic range and tonality on the market because they use a mix of large and small grains that make them much more versatile. According to the Sunny 16 rule, simply set your aperture to F16, your shutter speed to the reciprocal of your film speed (so if you're shooting ISO 100 film, ~1/100 sec), and your exposure should be close-enough to spot on; amazing! Low-light settings will have a brighter image than the 100 film speed, but it will appear overexposed on a bright sunny day. Pull - Halving the amount of light by -1, -2,-3 stops. But another part of it must surly be just be how so perfectly it fits my tastes when shot within my established workflow. Can you shoot Cinestill 800 at 400? if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. The first few images are from my first roll with Portra 800. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. I use ISO 400 film for people photos, since I'm snapping people in all sorts of unpredictable light, and need enough speed to stop action and prevent blur from motion. It only takes a minute to sign up. High ISO film typically costs around 50% more than slower film, too. It's an old SLR. In case I end up with a very bright scene with such a film and still want to take a picture. I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. (Free 3-day trial)Subscribe here. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? Both "bright indoors" and "general outdoors". If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. I might have to shoot some Portra now and see how it compares. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. Got another roll of it heading into the night? Yes, of course. Thanks, Hamish, for another thoughtful column about another film type. What happens when CineStill 800T is shot outdoors in daylight? Film Review: CineStill 50D VS. 800T . In my experience, the filter required no exposure adjustments. Privacy Policy. To be in a forest under the trees you will find high ISOs very useful. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. If I am shooting outdoors in daylight and my Digital camera reads ISO 100, Shutter speed 1/125 and F11 Can I set my film camera to the same settings instead of buying a Meter. Continue with Recommended Cookies. CineStill 800T shot in daylight without a warming filter, scanned with no colour correction via PrimeFilm XAs. Built-in Flash: Yes. I like "being in the now . Some of our partners may process your data as a part of their legitimate business interest without asking for consent. 85C warming filters, as the name implies, add a slight warm tone to your images. To subscribe to this RSS feed, copy and paste this URL into your RSS reader. CineStill 800T shot on Vitessa A. Because of this versatility, Ive shot Kodak Portra 800 in a fairly wide range of shooting circumstances. Cant argue with that fine grain, either. Do you have any other tips? The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. Clearly this story is heading in a very specific direction - I . Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". As Ive mentioned a few times throughout this post, its also incredibly versatile. - So I'd have another step left if necessary. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. But I've seen a few films I like the look of, and those happen to be faster. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. The first will be bigger problem with small format (you enlarge more, but 1/2000 and faster speeds are common) and the second with medium format (many MF cameras are limited to 1/500 sec). At this stage, it was quickly dawning on me that Portra 800 could be the film that might offer me the greatest level of versatility and the lowest level of requirement to tinker with the results within my workflow. Light meter battery ran low and I overexposed my ASA 400 HP5+. Kodak Portra 800 is quite possibly my favourite colour negative film. 35mm. As you can see, Kodak Portra 400 is a very vivid film, capturing colors, light, and texture in a crisp format unlike many other film stocks. a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. So if you're dead set on shooting color film in dim, artificial light, check out 800T and learn to push it as necessary. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. CineStill 800T is a great alternative to the few options we have. In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. The big question is what are the light conditions you are going to be shooting in. I have no experience with color negative film. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. And because Im not a massive bokeh-fiend, and dont find myself with a desire to shoot much in the way of shallow depth of field photos in daylight, but do enjoy the versatility of being able to shoot colour film in low light, this pretty much makes it the ideal choice for me. Cinestill says their film is faster because they remove the remjet layer of the film. Film has a "look" to it and that look can be influenced by developers and whether or not you push or pull the film. Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. So if you have an ISO of 100, then the shutter speed should be 1/100 (or its closest conservative setting of 1/125s). A part of this is no doubt down to the innate image quality of Portra 800. Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. A variable neutral density filter (or variable ND filter) can help fix that! Right: colour-corrected. The ISO numbers correspond to the length of time it takes to capture an image, which doubles with each increment, so 800 films would take 1/8th of that ISO 100 film would take to capture the same idea. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. Thanks for your input! It's intended for a more all-round use between somewhat darker and lighter scenes, but I needed to know that at what point such high ISO would be t sensitive (in case the sun comes out when outdoors). Heres what I reckon now; thinking about a chat I had with a guy who runs a local lab along the lines of Ah people shouldnt make such a fuss about films, we can pull pretty much anything we want off a neg; its more about how the scanners are set up etc and I dont really agree I do think people make too much fuss about film, but its OK to make SOME fuss FWIW heres what re-reading this made me think. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. CineStill takes advantage of a C . Personally, I absolutely love the look of Pan F+, a 50 ISO film. "Great for taking photos in water of any sort." This rating is also called speed. Develop it at 400 (+2 Stops) and your photos should come out fine. With some careful exposure and scanning, even with very high contrast scenes, I was able to pull stacks of shadow detail with very little detriment to the image quality. I never knew that and I'm glad if that's the case (always a struggle digitally, even with RAW-flexibility). While the clouds certainly didnt make the sun hotter, the light that it gives off after being. demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. In this video, I test Cinestill 800T for the first time in three different enviroments. Pull/Push - You didn't change the speed on your camera. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. This is the equivalent of temporarily adjusting your ISO meter to 400, 200, 100. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). ISO 400. I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. Has 90% of ice around Antarctica disappeared in less than a decade? A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. @bvy No argument there, I just took the OP's. You can adjust the stops of light that are let into your lens, depending on the environment. Well, thats enough encouragement for me ;-), I will write something about my experience with it then. Its fine grain, high contrast. Colour saturation was spot on, minimal grain, stacks of sharpness. How far can you push process an accidentally under-exposed film? Has the term "coup" been used for changes in the legal system made by the parliament? You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. consider also using a ND filter with very high ISO film in sunny conditions. CineStill 800T in daylight (colour-corrected). ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. So I wanted to know if Portra 800 was just as flexible. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Ive also over and underexposed it a little bit, just to see how well it would respond. - But you suggest that in case of really bright scenes, right? Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. I was thinking of shooting it at 400, or even 200. Like, 100 or 200. Shoot that one at 6400 - or even push it to 12,800. Find out more about 35mmc here. So I have to check if it works. The 40 Best Notion Templates for Students, The 10 Best Study Websites & Virtual Spaces, 20+ Aesthetic & Minimal iOS App Icon Packs, document.write( new Date().getUTCFullYear() ); Gridfiti Inc. All rights reserved. "One of the brand's best single-use cameras." Best Value: Fujifilm Disposable 35mm Camera with Flash at Amazon. Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. Could be. (Funnily enough, after reading your comment I read the bit where you quoted me as saying 1200 a couple of times. About white balance and colour temperature. Proimage 100 is another film thats given me the more saturated colours I like, but as a 100 speed film, I just didnt find it to be as versatile as Id have liked. Photographers: submit your stories, essays, opinions, articles, and reviews for publication on Analog.Cafe. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. I can already tell it would be too sensitive for that. Read moreabout our affiliate disclaimer. Shoot that one at 6400 . Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. This created predictable consistency in the scans. Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? Heavy overcast or about to rain - ISO 400. Depends on the application. It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. Depending on your camera you might run into shutter speed problems. Manage Settings This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. I was very impressed indeed. But when making that decision, the first concern I had was how I was going to cope without my quite-recently found love for this fast and very versatile colour emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-3','ezslot_0',179,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-3-0'); Now, before I get into this, I think that its important to caveat this review by saying that it is far from exhaustive, or even conclusive. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. You mention less brilliant colors. Archived post. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. To learn more, see our tips on writing great answers. What you see here are composite images made with both frames (with and without 85C filter) sliced and arranged next to each other for easy comparison. Technically, an ISO 800 film would be the safer choice. Or for when subject is moving at speed (will cut down on blur). For daylight, you use ISO 100 or 200 film, for indoors, you generally use ISO 400 film, and so on. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. CineStill 800T is a great alternative to the few options we have. As such, I then decided to shoot a roll with a very modern, high contrast, high resolution lens. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. Rated ISO 200-2000! With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. Scanning this roll, the colours seem to pop how I like them really easily, and that was despite the fact that Id shot it with a 1940s lens. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. I've never really liked shooting indoors or using a flash so I usually avoid it. I mentioned in a recent review of my now treasured Konica Hexar RF that Id had a bit of an epiphany when I loaded a roll of Portra 800 into that camera and mounted my Voigtlander 50mm f/1.2 onto it. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. "medium film". Thanks for your answer. An old 500mm lens requires 1/500s or shorter to make that work. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. Please see my straight-scan comparison I added at the end of the post. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. For more information, please see our Support this blog: this project takes thousands of hours and dollars to maintain. Yes, you can use ISO 1600 in bright sunlight. What happened to Aham and its derivatives in Marathi? Can you make it work? Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. #16. So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. So I wanted to know if Portra 800 was just as flexible. We and our partners use cookies to Store and/or access information on a device. is used to define and measure various light sources colours on the spectrum from red to blue. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. . And of course, CineStill renders the colours and contrast in its own way (which I found to be precise, realistic, and appealing): Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Combined with high end Zeiss ZM glass, which really provides peak of what I like from lenses in terms of contrast, colour etc, Portra 800 really shines for me. Let's start by understanding h. Does With(NoLock) help with query performance? you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. I think it is the best. I had heard a rumor that Portra 800 was going to be discontinued? I didn't shoot anything profoundly original with it either. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Go for one of the disposables above for non-aquatic photo fun. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. Kodak TRI-X 400 - shot at EI 3200.
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